I hope for our sales the BBC don’t make a cheesy hash of ‘Hole In The Wall’ but with Dale Winton at the helm it sounds like it’s headed that way. ‘Human Tetris’ or ‘Tunnels’ in Japan is a successful game show where contestants stand in the way of an advancing polystyrene wall with a shape cut from it. The aim of the game is to pass through relatively unharmed and not get knocked into the pool directly behind you. Celebrities dressed in all-in-one silver latex suits are challenged to ever more complex and speedy shapes.
If you’re into daft please go and search for ‘Human Tetris’ on YouTube ( I’ll paste links when I’m home and not blogging on my iPhone).
No doubt the Uk version will ditch the shiny suits and make another National Lottery gameshow lame clone but I prepare to be corrected if people behind the show are true fans.

I certainly seem to watch more TV these days as I sit down after a busy day at Esendex. As much as I try and switch off during the adverts, I do keep hearing odd words crop up which seem to become the ‘vogue’.

Tautening

Whilst cosmetic companies are forever coming up with random chemical sounding names for their additives for ‘the science bit’, there seems to be one which is this year’s in phrase.

What did we do before products offered ‘tautening’? Were we reduced to saggy “A-zones”, reduced to contemplating if a pony tail dragging the scalp back with hair would be our only salvation? No, obviously not. But that doesn’t stop advertisers trying to make the gullible feel that they need tautening.

Safetergent

“It’s more than a detergent, it’s a safetergent”. Oh get over yourself already. It’s a non-soap surfactant if you want to be picky, but safe-tergent? Come on Woolite, you’ve invented an advert so annoying that it’s actually actively putting me off the product. Own goal.

I’m sure there’s plenty more. At least the Glade ’sooooothing light’ advert has disappeared now too.

What are your pet hate adverts, given we have to watch the things still? (Sky+ owners withstanding, which my brother loves to say how he doesn’t watch adverts anymore. Until they take the wheels off that kart and force you to watch adverts when you start playback off your HD )

Today marks the end of my undergraduate studies as I was formally presented with my First Class degree certificate at the graduation ceremony in Nottingham’s Royal Concert Hall. With hundreds of other graduands, I collected my award shaking the hand of the Vice-Chancellor in a very well organised ceremony which was both a solemn celebration and direct and to the point. It’s a sign really of the kind of dynamic university that Nottingham Trent is compared to my previous ‘red-brick’ university experience I had in the 90s.

It has been a long four years of hard work, but it has all been worth it. Today’s been a brilliant celebration from start to finish and even better sharing it with my brilliant fiancée Linz, who’s been a great inspiration and support; and my parents who have been solid support in my life.

So now I continue developing my professional career at Esendex where I’m already learning a heck of a lot of good stuff from good people. Off for a curry to celebrate now. Maybe a tip of the hat to the ‘Curry Mile’ in Selly Oak maybe? I think I deserve it.

[Edit] I’ve done a quick splice job on the online version of the graduation video from Nottingham Trent University’s website to capture the moment.

This post has been sparked off from watching the trailer for the upcoming movie by Satoshi Kon called Paprika set to open in the USA this week. During it, there’s a quote from the New York Times praising the film, saying:

“Evidence that Japanese animators are reaching for the moon, while most of their American counterparts remain stuck in the kiddie sandbox.” – Manohla Dargis

I think she has a strong point in that quote. American animation still caters predominantly for the kid market, even if there’s a nod to the parents who’ll be watching them. Recent outings like Flushed Away, Meet the Robinsons, Over The Hedge, and classics like Toy Story, The Incredibles etc all have their adult appeal, don’t get me wrong, but there’s a formula even to these. Want evidence? Watch a few anime titles and see real tangential fantasy ideas pour out of the page.

Since the early 90s when I stumbled over the Anime section at HMV in Birmingham and joined the UK Manga Club I’ve been a big fan of the animation style of the Japanese. From early classics like Akira (of which I’m a very proud owner of an original cel from the movie) to the fun Tank Police series, I’ve recently been captivated by two releases by Studio Ghibli – the Academy Award® winning ‘ Spirited Away (Sen to Chihiro no Kamikakushi) [Hayao Miyazaki] (2001) and the captivating ‘Whisper of the Heart (Mimi wo sumaseba) [Yoshifumi Kondo] (1995).

In an unofficial translation of an article Hayao Miyazaki describes his justification for producing ‘Whisper of the Heart’, which also demonstrates his approach favouring an adult audience despite being animation.

“The movie will neither cater to the tastes of the younger audience, nor deliberately raise questions or highlight the problems in their present situation.

To the middle-aged people who have unspeakable regrets and remorse towards their salad days, the movie should be able to deliver an inciting feeling to today’s youngsters. Deep in the minds of these young people, they are assuming in great faith that they can never play the main roles in the stage of life. Indeed, they are the reflections of the old selves of the middle-aged people like us. Therefore, we hope to revive the wishes in their hearts, and reveal to them the importance of embracing their dreams.”

He goes on to describe more about how shoujo manga usually doesn’t have inconsiderate parents and pretty much concentrates on the central character’s hopes and dreams. And the dream sequences are usually utterly fantastical and shows what I think Dargis was referring to by animations ‘reaching for the moon’.

Go on, treat yourself, find one of these films and let your imagination run riot. It deserves being unleashed and stretched further.

Where else in the world do you get a staged event full of so many different cultures? It’s a blast. Sure, the voting is beyond farcicle these days, where it feels more like ‘which country needs the injection of cash from tourism and media spotlight this time?’. Sure, neighbouring countries vote for each other as if Eurovision meant the making and breaking of trade agreements. But in a time where there’s no current series of EuroTrash to celebrate the odd corners of our strange neighbours, Eurovision does it in one swoop.

Personally, I think ‘Scootch’ (Real Player) did us proud given the shoddy entries we’ve put forward in the past few years. They were slick in their routine, used more props than anyone else, and provided the proper slab of camp pop that Eurovision is all about! (Obviously the rehearsals by performing at G.A.Y. payed off.. heh). Hadn’t spotted the ‘Bucks Fizz’ reference until he offers the passenger a drink, nice touch Scooch.
I think that all the European Broadcast Union countries that get in by default (from the amount of money and expertise we throw at staging the event) means that we’re never going to win again. Maybe when we’ve got through all the new countries to join the EU we might get a shot at holding it again.

It’s a shame the Swiss entry “Vampires Are Alive” (Real Player) didn’t make it past the Semi-final stage.

But I think the performance of the night, which captured the EuroTrash mood which makes me smile so much, had to be Verka Serduchka’s performance for the Ukraine. Fantastically funny from start to finish. Hope someone gets the Eurovision performance up on YouTube soon but I’ll leave you with a version of the video which still makes me chuckle.

We might be odd bedfellows but I think it makes us unique and not at all stuffy.

Enjoy and DANZ!

[Edit : I've found the proper Eurovision performance now on YouTube and have changed the video below to that one. The star of the night was definitely that Barco projection screen behind them. From a lighting point of view, the fact that it consists of relatively thin bars of LEDs means they can shine lights from behind. And this song of Verka's was the best example of this. Watch closely for the beams of light co-inciding with the graphics of moving lights on the screen. Very, very clever stuff guys.]